In the hushed ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His posture is effortlessly upright, his arms muscular beneath a plain tee. On stage, ballet dancers can appear as powerful deities, yet often offstage they are petite. Not so Ball, whose height is one reason for his demand for heroic roles and pas de deux work. With delicate features and intense eyes, there's a hint of Robert Pattinson about him.
A Seamless Rise to the Top
At 31, Ball is experiencing the peak of a career that has progressed smoothly. Growing up in Liverpool, he faced minimal ridicule for his early passion in ballet. Entering the esteemed training institution at 11, he graduated directly into the troupe and was advanced each year, attaining the top rank of principal in 2018. He has loved taking on substantial characters, especially the emotional turmoil found in Kenneth MacMillan's works.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
His next starring appearance is in a talk, in an "In Conversation" event aiming to offer behind-the-scenes perspectives into a performer's art. He will guide the audience through a role, demonstrating his mental workflow while execution. Yet in more comedic works, the test is significant. "Don Quixote is one of the toughest technically," he states.
The Mental Struggle and Post-Performance Emotions
How does he feel after a performance, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to extract all the emotion out of it, and get immersed in the character, quite often I do feel self-conscious afterwards. After an intense role I'm always thinking: Wow, what must people think?"
In person, Ball is reflective, polite, and prone to laugh at himself. But a dance maker once observed on a "sense of suffering in him." Is there? "I'm quite energetic in general, but I do have a melancholy streak," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an instigator for good change."
Formative Drivers and Creative Influences
His determination stemmed from early experiences. Not excelling in competitions at school made him "vengeful!" This became fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.
An upcoming challenge is making his own choreography. In his view, "there's nothing wrong with." "Challenging the rules is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing inspiration from literature, compositions, and art.
Intimate Performance and Personal Dynamic
He also is interested in presenting dance in smaller spaces. "It was just really thrilling," he says of a previous show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"
Ball has created duets with his girlfriend, fellow principal Mayara Magri. The level of trust between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They are not typically paired on stage at their main theater, which might be healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest cheerleader."
On Social Media and Physical Image
On Instagram, fans can see clips from his dance films and photos that highlight a sculpted form. Does he care that the engagement can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he states. He compares it to seeing Michelangelo’s David—something that can be seen on multiple ways.
Ball characterizes his younger self as "eager for success." Has it met his hopes? "I feel very aware of how reality is a separate reality to the aspirations you made as a child," he muses. He likely has about decade of dancing ahead. "I guess in the future, I want to be a bit more kind with myself."